Monday, February 21, 2011

Bonus Phlash Images





After a day like the one I had today, it was a true pleasure to come home and see Phlash's photos on my computer, with a note of explanation for each image, almost as if Phlash were here explaining each snapshot.

These are the images I'm not sure I will have space for in tonight/tomorrow a.m.'s issue, so I am hosting them here so we can link to them.

Art Opening, Fri. March 11: Irena Saparnis at Jackson Junge Gallery





SILK LIGHT

The Luminous Art of Silk Batik – Irena Saparnis

“Silk Light,” a collection of batik art by Irena Saparnis will be on display at the Jackson Junge Gallery, 1389 N. Milwaukee Ave., from Friday, March 11, through Sunday, May 1, 2011. An opening reception with the artist will be held from 6pm – 9pm on March 11th. The public is invited to attend free of charge.

Per a press release from the gallery, Irena Saparnis is renowned for her distinct style and unusual art form.

While most batik artists work with cotton, Saparnis’ fabric of choice is silk. Painting on silk is relatively common especially in Asian cultures, but its role in batik is somewhat unique.

“Early on I began experimenting with fabrics and fell in love with the results I could produce on silk,” says Saparnis. “The material itself has a luminescence that brings a whole new quality to the final composition. Light bounces off silk creating a look you could never achieve with the dense fiber of cotton.”

In addition, silk absorbs dyes differently than cotton. Saparnis says she can produce more brilliant colors with the fabric. Her work seems to cast a glow; people often ask if she has them lit from behind.

“Silk Light” focuses on three composition themes; Floral, City Scenes and Abstract.

Floral (PICTURED): Saparnis is widely known for her floral compositions. A signature trademark of her work includes the exquisite “poppies” created in numerous iterations. Common to all of them is a vibrant, ruby red hue that is rare to find and difficult to achieve in batik. “Silk Light” includes representation of the artist’s popular still-life bouquets as well as more current work.

Among the latter is “Flying Flowers"(PICTURED): Like many of the artist’s recent compositions this piece features blossoms, petals, stems and leaves in a cascading free fall, introducing a whole new dimension of energy and vitality.

"City Scenes": Irena Saparnis enjoyed an early career in architectural design. Today, that interest is reflected in her work. Her city scenes focus on mundane civic structures; her mission is to infuse them with new spirit and coax out the character she knows lurks within.

The piece titled “Confetti,” PICTURED, shows a lack-luster city street in Chicago’s Loop. The elevated train tracks cast a shadow over buildings and pavement. Brightly colored confetti, inspired by the Blackhawks ice hockey championship win, transforms the scene into one of joy and celebration.

To create the city scenes, Saparnis transfers original photographs to the fabric. Through the dye and waxing process of batik, she adds her enhancements. Some of the pieces are further embellished with hand embroidery or by applying pieces of lace and other materials.

Abstract Design: Saparnis confesses that her abstract pieces are primarily an exercise in learning and experimentation. “I’m not an abstract person,” the artist claims. “Florals, city scenes and human figures are the common subjects of my work.

Despite her caveats, Saparnis’ abstracts are delightful to behold and often showcase an intensity of color it is hard to believe can be realized through the variable process of dye and wax. Many of these works incorporate design elements from plant life or building grids. The pieces allow her to test new techniques.

“Batik has been a part of my life for so long I am able to lose myself in it” says Saparnis. “I’m constantly discovering through trial and error. What I love most about my art is the unpredictability. You can only manipulate the dye and wax to a degree. The process has a life of its own and you never know what that might lead to. It is that element of surprise that keeps me so engaged and challenged.”

Irena Saparnis, a native of Lithuania, currently resides in Willow Springs, Illinois. Her batik art has been featured in numerous exhibitions and shows through the United States and abroad. While her work is represented at the Jackson Junge Gallery year-round, “Silk Light” marks her first solo exhibit at the venue.

The Jackson Junge Gallery features the work of Laura Lee Junge and other contemporary artists in Chicago. The gallery is open Monday thru Saturday from 11am – 8pm, Sunday from noon to 5pm, closed on Monday.

Closing this Sat. Feb. 26: 360SEE Gallery in Bucktown


(All content, below, by Jordan of 360SEE Gallery. We here at the Pipeline are very sad to see this gallery close, as it's been a regular on our 'pop-in' circuit. Jordan will be missed, along with all of the unique art pieces in his gallery, and, of course, his dog, Homer, who serves as inspiration for this blog.)

For many of you reading this it will come as no surprise to announce that 360SEE is moving from our current location at 1924 N Damen.

I have long been talking about trading 360SEE's storefront for a location where I can better focus my attentions on my personal client relationships, art consulting projects, collaborations with interior designers & architects, and corporate projects.

While I was planning on having a number of months to transition between spaces, the process of exiting our Bucktown location moved very quickly.
360SEE's last day at 1924 N Damen will be Saturday February 26th.

While I search for a new home for 360SEE there will be a seamless transition of services offered, continuing to provide all of your fine art and sustainable design needs.

We will
continue to offer our in-home and onsite consultations that many of you have taken advantage of over the years and maintain our online catalog of fine art, furniture, and design objects.
Our telephone number [ 773.698.6340 ] email [ info@360SEEgallery.com ] remain the same.

In the coming months 360SEE will also be rolling out a new version of our website [ www.360SEEgallery.com ] offering expanded content, new features, and introduce new artists and designers.

Thank you for your enthusiasm, patronage, interest, and support of 360SEE over the last three years.

While 360SEE's first home will always have fond memories this is an exciting time of growth for the gallery.

360SEE looks forward to continue to bring you seminal works of fine art, furniture, and design objects that exists inside the confines of the gallery's sustainable-minded media-choice philosophy.

Please stop in this week to say hi, take a photo of Homer, and see our current collection.

Stay tuned...


EVERYTHING MUST GO! [from 1924 N Damen]

360SEE is not having a clearance sale but we are currently 2 to 3 pieces away from being able to close the door on our storage facility.

In the hopes of not needing to get more storage and making some clients very happy -- we will be quoting unheard of pricing on furniture pieces, large sculpture, and design objects.

Below are a handful of available furniture pieces with more online here.
Stop in, email, or call for quotes!

Adventures in Lincoln Square: Penn Dutchman Antiques













There is no such thing as a quick pop-in to Lincoln Square's Penn Dutchman Antiques, 4912 N. Western.

Even the shop's owner, Jim Mowery, when I was trying to leave the first time, said "You didn't go upstairs."

"What's upstairs?" I asked.

"Linens, furniture, costumes," Jim replied.

I then trekked upstairs, wishing my leg and lower back were feeling better and I could be more excited by this slice of hoarder heaven, which is full of 39,000 items in 13 rooms, and has a steady stream of fans if all of the other people I encountered who were either buying treasures from Jim or trying to sell them to him were any indication.

In one of the rooms, a middle-aged guy from Detroit, whose name I didn't jot down, was grinning ear to ear like a kid and telling me that he has never seen anything like the Penn Dutchman. He was holding a vintage looking sugar creamer and some sort of brass iron piece that looked like a piece of something else. He had a burning question for Jim and was on his way to go ask it as if time were running out.

Having been somewhat of a hoarder in the past (though mostly cured of garage and estate sales and musty places after I brought an invasion of dust mites into my home that required two professional fumigations, a trip to the ER, and a week of dermatological treatment, all for a $75 cardboard box of goodies from the basement of a house where all three children died long before their parents) I wasn't looking for anything in particular. I'd ended up in this magical place because I decided that I wanted to go on a bit of a walk after a doctor's appointment in Lincoln Square, even if LS is technically out of the pipeline's "coverage area."

The second time I tried to leave, Jim was with a customer at the register and said, "You didn't see that box of stuff I put out for you, there is some Wicker Park stuff in it!"

I tried to find the box for at least five minutes, but there were a lot of boxes. Jim was at the register with a few clients, so I waited for him, and then he showed me dance cards from Wicker Park dance halls.

Though it's tough to call out a favorite room, I think the one room that I will definitely come back to once I am feeling better, is the small one which is full of discarded snapshots from days gone by.

Looking over the snapshots of yesteryear were Nick Osborn of the blog, Square America, and his friend, Michael Williams. The gentleman, who'd happily admitted they'd just spent two or so hours in the room, are also co-authors of a book, Who We Were, a Snapshot History of America.

From the looks of it, the guys were finding some good stuff!

Nick ended up purchasing 100 prints, at a reasonable price of 50 cents a pop, earning him a special gift of pressed leaves from Jim, and Michael walked away with 36 snapshots of forgotten moments that otherwise would not be chronicled.

Note: For special deals at Penn Dutchman, Jim said that I should check out the LSCC web site.

Sunday, February 20, 2011

Pulaski School in Process Of Soliciting Feedback on Three Preschool Options


Whatever your opinion or position is on school reform, it's here, and time to think about the 2011-12 School Year.

Bucktown's new Pulaski IB School is soliciting interest from parents on three possible preschool programs: a half-day tuition based schedule, a full-day tuition based option, and Preschool for All.

For a close-up view of key facts and differences between the three preschools, click on the image at right to draw up a larger version.

Anonymous Woman Determines Next Mayor By Voting for Face She Saw While Shoe Gazing

Sat. March 5 Art Opening: Sugar & Splice


OhNo!Doom presents:

Sugar & Splice: Aya Kakeda, Jason Limon, Jeremiah Ketner & Yoko d'Holbachie
Opening reception: March 5th, 2011 6-10pm
Exhibit closes March 26th

(Chicago) On March 5th OhNo!Doom opens with "Sugar & Splice," a 4-person show featuring a collection of painted works from Aya Kakeda (New York), Jason Limon (San Antonio), Jeremiah Ketner (Chicago), and Yoko d'Holbachie (Japan). Whimsical characters rendered with careful skill and hypnotic color, all unifying elements that can be expected from these new masters in the pop surrealism movement.

Directly after the opening reception all unsold artworks will be available to view and purchase thru our online store: http://www.enstore.com/ohnodoom/

Customers can sign up for the Preview List where they will be able to purchase artwork the Friday before the official opening: http://ohnodoom.com/gallery/info.html#


OhNo!Doom Gallery

1800 N. Milwaukee Ave.

Chicago, IL 60647


Transportation: North of the Damen Blue Line

South of the Western Blue Line

Bus 49, 56, 72

Plenty of Metered Street Parking

Hours: Tuesday and Thursday 4pm-10pm

Saturday 12-7pm

By Appointment: info@ohnodoom.com

Phone: 773.698.8348




About OhNo!Doom: 


OhNo!Doom is a Chicago artist collective made up of designers, illustrators and plush artists (who all work creative jobs during the week). The group operates an art gallery-shop in Bucktown, that showcases it’s members work as well as other artists from around the world and is home to ON!D’s designer toy and clothing line. This space also does triple duty as the collective’s design studio headquarters. The OhNo!Doom Collective is: Oscar Alatorre, Max Bare, Joseph Call, Lana Crooks, Jordan Owen and Andrew Thompson.